In 1842, Jan van Eyck's Arnolfini Portrait (1434) was acquired by the National Gallery in London. It quickly exerted an influence on British artists, none more so than the young painters of the nascent Pre-Raphaelite Brotherhood, who were drawn to van Eyck's luminous palette, attention to detail, (...)
The first book to focus on Monet's work through his representation of architecture In an innovative approach, Richard Thomson considers Claude Monet's paintings of buildings in their environment, offering a reappraisal of an artist more often associated with landscapes, seascapes, and gardens. (...)